Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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Riding in a station wagon with Gerard Malanga and two friends , Taylor Mead and Wyn Chamberlain , with rock and roll blaring from the radio , Warhol noted : The further west we drove , the more Pop everything looked on the highways .
During the fall of 1969 , it maintained a low position on the U.K. charts , which caused Mercury records to halt further distribution and production of what it had considered to be the album that would launch Bowie's career .
The brief but laudatory review went on to state “ David Bowie is the undisputed King of Camp Rock ” ( 43 ) During the rest of the summer , one of DeFries's main goals was to arouse further interest among rock critics .
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