Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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Styles often " feed back ” into the fashion industries and what was once “ punk clothing , " is marketed as a “ fashion statement , ” usually with little regard to the creativity implied in the original design or usage of the apparel ...
theoretical approach , as Gary Clarke suggests , assumes a “ pure ” moment of subcultural resistance , which is ultimately rendered powerless in that subculture's styles are inevitably translated into “ fashion statements .
Accordingly , faithful followers began to employ the mismatched " sleezoid ” look in their own personal fashion designs : clothes and objects that were “ cheap , " plastic , gaudy , ribald , and ( especially ) rejected ( thrift stores ...
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