Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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As a result , a wide range of possibilities opened for fans , many of whom were limited by backgrounds or geographical locations . Thus their predominant subcultural experience in the early 1970s occurred through the application of ...
The band in fact assumed too much about their foreseeable " kids in Kansas , " which ultimately led them to exclaim of both their fans and their excessive lifestyle , Too Much Too Soon.12 But in the process of comprehending the impact ...
gous manner , glitter rock provided fans with the premise that they could instantaneously transform themselves into stars . In fact , “ getting up ” and concert posing became regimented forms of behavior , with fans dressing as much for ...
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