Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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The question resulted in numerous arguments among band members ; in fact , as the Velvets attempted to decide on an autonomous image , the social situation among group members had become extremely “ uptight ” ( Bockris and Malanga 65 ) ...
In fact , not only did Pop " attack ” his fans , he also engaged in various forms of self - abuse . At this point even the openminded John Sinclair claimed that Pop was " too weird , ” adding that the Stooges had gone beyond ...
Thus , as the Dolls proceeded to enter into the hard rock genre , they ignored the fact that their audience ( as a base group ) had never claimed to want more than dissonant pleasure . Indeed , the Dolls had always required that fandom ...
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