Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
Resultados 1-3 de 56
For example , traditional objects such as safety pins ( innocence ) and garbage bags ( dirt ) were worn in a contemptible manner . Likewise , makeup was worn to be seen , not applied to fabricate a natural look .
often made available to those who were living within the confines of particular localized cultures ( for example , small towns ) . As such , then , glitter crosspollinated the values of a flagrant underground with the commercial ...
For example , in “ You Drive Me Nervous , ” a teenage boy fantasizes about running over his girlfriend with an automobile . In “ Halo of Flies , ” Cooper turns the buzzing creatures into objects of glory . And in “ Desperado , " a macho ...
Comentarios de usuarios - Escribir una reseña
Andy Warhol and the Rise of Pop Art in the 1960s
Pop Art as Pop Life
Página de créditos
Otras 11 secciones no se muestran.