Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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But the dominant culture stands as the most " natural ” social order , the hegemony , which , according to Clarke et al . , involves the exercise of a special kind of power — the power to frame alternatives and contain opportunities ...
Which ideas gain dominance and which remain marginal ( Hebdige 14-15 ) ? ... consent must be won and shaped so that the power of the dominant classes appears to be legitimate and natural ( Hall , cited in Hebdige , Subculture 16 ) .
The term in - there refers to a subcultural youth group that has a coherent sense of style and this stylistic sensibility reveals a symbolic resistance toward dominant culture . In addition , subcultural members are bound together due ...
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