Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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Yet , as the authors point out , the strategies may or may not be direct . 10. Here , I would point out that this claim was made in regard to the embourgeoisement myth that had come to define all of working - class culture .
For a direct reference to the quotations , see “ Rolling Stone ” October 25 , 1993 , p . 26 . 16. Of course , at this particular point , glitter rock was also a dying ( if not dead ) trend / style . The Dolls also had grown tired of ...
As Tricia Henry observed , “ What was considered strange enough in the context of theatrical performance was even stranger in a pedestrian context " ( 35-36 ) . In more direct manner , glitter rock fan Llana Lloyd claims : For the first ...
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