Reconstructing Pop/Subculture: Art, Rock, and Andy WarholSAGE Publications, 17 abr 1995 - 240 páginas This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies. Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi |
Dentro del libro
Resultados 1-3 de 35
Página 17
... developed by the Centre for Contemporary Cultural Studies ( CCCS ) were in some places resistant to it . Next , in ... developed at the CCCS during the late 1960s and early 1970s . Next , I will link this document to Dick Hebdige's ...
... developed by the Centre for Contemporary Cultural Studies ( CCCS ) were in some places resistant to it . Next , in ... developed at the CCCS during the late 1960s and early 1970s . Next , I will link this document to Dick Hebdige's ...
Página 51
... developed a solid and distinc- tive painting style of his own . " Nonetheless , these job experiences did have an impact on Warhol's later pop aesthetic . First , the energetic and fast - paced world of New York advertis- ing taught ...
... developed a solid and distinc- tive painting style of his own . " Nonetheless , these job experiences did have an impact on Warhol's later pop aesthetic . First , the energetic and fast - paced world of New York advertis- ing taught ...
Página 210
... developed by individual members : they clothed themselves in chaotic " gear , " which had already been arranged , according to social use , into cultural codes of mean- ing " ( Clarke et al . 55 ) . In each particular case , subcultural ...
... developed by individual members : they clothed themselves in chaotic " gear , " which had already been arranged , according to social use , into cultural codes of mean- ing " ( Clarke et al . 55 ) . In each particular case , subcultural ...
Índice
1 | 18 |
Semiology and Ideology | 27 |
The Limits of Subculture Theory | 37 |
Página de créditos | |
Otras 13 secciones no se muestran.
Otras ediciones - Ver todo
Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol Van M. Cagle No hay ninguna vista previa disponible - 1995 |
Términos y frases comunes
addition aesthetic album Alice Cooper analysis Andy Warhol artists attempt audience avant-garde band band's became began bisexual Bockris Bowie's British youth subcultures camp claims Clarke commercial concerning context created Creem cultural studies David Bowie DeFries developed dominant early Factory studio Factory subculture Factory's films Frith genre glitter fans glitter rock Grossberg Hebdige Hebdige's ideas ideological Iggy Pop incorporation interview Johansen London Lou Reed makeup Malanga manner Max's Melody Maker Morrissey musicians Nico notion out-there paintings performance played pop art Pop's popular culture posed premises produced punk record Reed's Resistance through Rituals result rock and roll rock critics rockers Rolling Stone Roxy Music scene seemed sense sexual social song stage Stooges stylistic subcul subcultural style subculture theory suggested superstar theatrical themes tion tour Velvet Underground visual Warhol and Hackett Warhol's Factory Warhol's pop Warholian York Dolls Ziggy Stardust