Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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... ( but instead functioned as subcultural forms ) and , on the other hand , while operating parallel to the overall model developed by the Centre for Contemporary Cultural Studies ( CCCS ) were in some places resistant to it .
But during this time , he had not yet developed a solid and distinctive painting style of his own . Nonetheless , these job experiences did have an impact on Warhol's later pop aesthetic . First , the energetic and fast - paced world of ...
In other words , at the Factory , there were no standard haircuts uniforms , or accessories , but one feature permeated the styles developed by individual members : they clothed themselves in chaotic " gear , " which had " already been ...
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