Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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In adding fuel to the darker suggestions raised by critics , Warhol offered claims that suggested that dehumanization might actually be his intention . In an interview with G. R. Swenson this stance comes through most clearly : I think ...
On entering the gallery , critics and viewers were immediately bewildered , because they were implicitly forced to contemplate what appeared to be the actual mercantile products themselves . As a result , the most common question was ...
( 98 ) It was , in fact , this sense of genuineness that caused rock critics to herald the band as the avant - rock ( glitter - styled ) group of the moment . Certainly , Iggy Pop , Bowie , and Lou Reed were the instigators of the ...
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