Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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In the cases examined in this book , the reader may consider that Factory participants constituted an in - there subculture , whereas glitter rockers constituted an out - there subculture . In the first case , the in - there subculture ...
Here , we can consider that subcultural members engaged in individual acts of bricolage that ( oddly enough ) s revealed an " organized group identity in the form and shape of a coherent and distinctive way of being - in - the - world ...
Also , we might consider a drag queen such as Holly Woodlawn ( aka Harold Ajzenberg ) whose " trashy " appearance gained her immediate recognition as a Warhol superstar . In relating the details of her first encounter with the pop ...
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