Reconstructing Pop/Subculture: Art, Rock, and Andy WarholSAGE Publications, 17 abr 1995 - 240 páginas This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies. Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi |
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Página 45
... began to incorporate ideas from Warhol and the Factory , they began to hypothesize about an out - there genre that would eventually be labeled glitter rock . In other words , as Warhol and members of the Factory entourage began to ...
... began to incorporate ideas from Warhol and the Factory , they began to hypothesize about an out - there genre that would eventually be labeled glitter rock . In other words , as Warhol and members of the Factory entourage began to ...
Página 68
... began to enter through the Factory's elevator doors , all of them lured by the style and atti- tude that was ... began to make regular visits to the studio ( see Koch 4-7 ) .3 And as the Factory increasingly became a meeting spot for ...
... began to enter through the Factory's elevator doors , all of them lured by the style and atti- tude that was ... began to make regular visits to the studio ( see Koch 4-7 ) .3 And as the Factory increasingly became a meeting spot for ...
Página 92
... began to reach another pinnacle of success , self - image problems among the group's members seemed to escalate . As rock historian Diana Clapton points out , With the approach of genuine publicity , egos began colliding . Lou began to ...
... began to reach another pinnacle of success , self - image problems among the group's members seemed to escalate . As rock historian Diana Clapton points out , With the approach of genuine publicity , egos began colliding . Lou began to ...
Índice
1 | 18 |
Semiology and Ideology | 27 |
The Limits of Subculture Theory | 37 |
Página de créditos | |
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Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol Van M. Cagle No hay ninguna vista previa disponible - 1995 |
Términos y frases comunes
addition aesthetic album Alice Cooper analysis Andy Warhol artists attempt audience avant-garde band band's became began bisexual Bockris Bowie's British youth subcultures camp claims Clarke commercial concerning context created Creem cultural studies David Bowie DeFries developed dominant early Factory studio Factory subculture Factory's films Frith genre glitter fans glitter rock Grossberg Hebdige Hebdige's ideas ideological Iggy Pop incorporation interview Johansen London Lou Reed makeup Malanga manner Max's Melody Maker Morrissey musicians Nico notion out-there paintings performance played pop art Pop's popular culture posed premises produced punk record Reed's Resistance through Rituals result rock and roll rock critics rockers Rolling Stone Roxy Music scene seemed sense sexual social song stage Stooges stylistic subcul subcultural style subculture theory suggested superstar theatrical themes tion tour Velvet Underground visual Warhol and Hackett Warhol's Factory Warhol's pop Warholian York Dolls Ziggy Stardust