Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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In other words , as Warhol and members of the Factory entourage began to interact with rock and roll musicians such as Lou Reed , David Bowie , and Iggy Pop , the concepts that would guide glitter rock began to surface .
All the while , curious visitors began to enter through the Factory's elevator doors , all of them lured by the style and attitude that was developing at the studio . Film scholar and Factory regular Stephen Koch describes a typical ...
But just as the band began to reach another pinnacle of success , self - image problems among the group's members seemed to escalate . As rock historian Diana Clapton points out , With the approach of genuine publicity , egos began ...
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