Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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Thus , with their commanding visual presence , Malanga's sharp tongue , and Warhol's growing reputation as the pop art master , the twosome became a focal point for an already thriving art , dance , and poetry scene .
contemporary popular culture became consolidated within the Factory's walls . This phenomenon occurred because , to put it simply , the studio was open to anyone , and so everyone came . Abruptly , the Factory became not only the place ...
Amid all this , Warhol became much like the Coke bottles and soup cans that he had painted . He had little obvious allure , but the associations linked to him made him powerful and attractive . And the more Warhol became sought after ...
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