Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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had managed to offend and ostracize audiences , especially in Los Angeles , where it became known as " the band you ... One reason for this response was that the Alice Cooper Band's guttural sound did not coincide with the music being ...
( 98 ) It was , in fact , this sense of genuineness that caused rock critics to herald the band as the avant - rock ... In addition , the band's streetwise , working - class stage demeanor drastically contrasted with the more elevated ...
In part , the New York Dolls ignored the negatively inspired premises that had guided the band's initial cult following . ... In this sense , the Dolls were like any other commercial act , but in another sense this was not a band that ...
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