Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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With this in mind , audience members usually came to the six - hour marathons prepared to do more than sit in front of static footage . Typically , they watched one of these films for twenty to thirty minutes , then exited to the lobby ...
caked with mascara , Cooper shredded newspaper and spit at the audience and smelled his hands after rubbing his crotch . And then something unheard of happened at Max's : A police officer came into the club after receiving a complaint ...
As he darted from one side of the stage to another , he begged for the audience's mercy . After a number of songs that included a range of special effects , the show culminated with Cooper's “ death act . ” During this scene he was ...
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