Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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ally attempts to incorporate all symbolic victories that are exposed by youth subcultures . ... Of primary interest was the repertoire used by the working - class adult culture in its attempt to negotiate solutions to the problems posed ...
In the process , the Dolls attempted to construct a new image , and more important , they attempted to construct a new audience . In this sense , the Dolls were like any other commercial act , but in another sense this was not a band ...
In Chapter 2 , and in this chapter , I am attempting to provide a method for understanding the relationship between glitter's ... How did they attempt to “ mark ” themselves and insert themselves within the lineage of glitter rock ?
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