Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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Either way , the artists ' frivolity could be justified if viewed as a temporary endeavor that would soon be abandoned in favor of the canonical responsibilities of “ proper " artists . By the early 1960s , such assumptions were quickly ...
It was still the closed world of the artists , the museum people . So , my gallery had a prestigious name , and I had shown a great many important people so that almost automatically ... I would show someone and he would be taken ...
In 1962 , the work produced by these various artists formally acquired the term pop art . It is a term that has been used ever since to describe an art that attempts to represent the modern consumer - oriented / media - saturated ...
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