Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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On entering the gallery , critics and viewers were immediately bewildered , because they were implicitly forced to contemplate what appeared to be the actual mercantile products themselves . As a result , the most common question was ...
During another portion of the performance , Bowie appeared in a suit that suggested both the androgynous and alienlike qualities of Ziggy : a tight , glimmering red- and blue - striped zippered shirt fitted over snug matching pants .
Thus the stage gave the appearance of a huge , decaying cityscape . ... When Bowie appeared on stage for the opening number , “ 1984 ” fans were astounded , first by the theatrical set , and second , by Bowie's noticeable change in ...
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