Reconstructing Pop/Subculture: Art, Rock, and Andy WarholSAGE Publications, 17 abr 1995 - 240 páginas This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies. Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi |
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Página 92
... album's release , the members of the Vel- vet Underground became increasingly distraught over the fact that the album did not become popular among New York cohorts . Certainly , they realized that the response outside of the city would ...
... album's release , the members of the Vel- vet Underground became increasingly distraught over the fact that the album did not become popular among New York cohorts . Certainly , they realized that the response outside of the city would ...
Página 93
... album ( White Light / White Heat ) . This album was released in December 1967 , just as the music of San Francisco was beginning to dominate the U.S. charts . But although most popular acid rock was harsh and laden with jams , the music ...
... album ( White Light / White Heat ) . This album was released in December 1967 , just as the music of San Francisco was beginning to dominate the U.S. charts . But although most popular acid rock was harsh and laden with jams , the music ...
Página 183
... album was opened and actually heard , the " kid " of David Johan- sen's description was presented with a record that was certainly indicative of early punk . Indeed , the album was a major source of inspiration for John Lydon ( aka ...
... album was opened and actually heard , the " kid " of David Johan- sen's description was presented with a record that was certainly indicative of early punk . Indeed , the album was a major source of inspiration for John Lydon ( aka ...
Índice
1 | 18 |
Semiology and Ideology | 27 |
The Limits of Subculture Theory | 37 |
Página de créditos | |
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Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol Van M. Cagle No hay ninguna vista previa disponible - 1995 |
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addition aesthetic album Alice Cooper analysis Andy Warhol artists attempt audience avant-garde band band's became began bisexual Bockris Bowie's British youth subcultures camp claims Clarke commercial concerning context created Creem cultural studies David Bowie DeFries developed dominant early Factory studio Factory subculture Factory's films Frith genre glitter fans glitter rock Grossberg Hebdige Hebdige's ideas ideological Iggy Pop incorporation interview Johansen London Lou Reed makeup Malanga manner Max's Melody Maker Morrissey musicians Nico notion out-there paintings performance played pop art Pop's popular culture posed premises produced punk record Reed's Resistance through Rituals result rock and roll rock critics rockers Rolling Stone Roxy Music scene seemed sense sexual social song stage Stooges stylistic subcul subcultural style subculture theory suggested superstar theatrical themes tion tour Velvet Underground visual Warhol and Hackett Warhol's Factory Warhol's pop Warholian York Dolls Ziggy Stardust