Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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What becomes particularly significant is the manner in which Warhol and Bowie repeatedly applied their aesthetic ... As the opening anecdotes suggest , such situations served as integral sites through which the chaotic aesthetics of pop ...
... the artists under consideration represented a new breed of aesthetic arbiters of the 1960s and 1970s , using the media directly ... became keenly aware of the orderly relation between the aesthetics of pop art / glitter rock and the ...
As I have demonstrated , the interchange between Warhol / the Factory and glitter rock was sometimes direct , as in the case of David Bowie , who had personal connections to Warhol's aesthetic / social world .
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