Reconstructing Pop/Subculture: Art, Rock, and Andy WarholSAGE Publications, 17 abr 1995 - 240 páginas This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies. Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi |
Dentro del libro
Resultados 1-3 de 62
Página 51
... addition , he designed record jackets for Columbia Records and even drew the clouds and suns onto weather maps at a local television station . From 1954 through 1959 , Warhol maintained his status as a thriving commercial artist . And ...
... addition , he designed record jackets for Columbia Records and even drew the clouds and suns onto weather maps at a local television station . From 1954 through 1959 , Warhol maintained his status as a thriving commercial artist . And ...
Página 81
... addition , the band developed a consistent visual style that was intended to provide a parallel to the kinds of topics that were being explored in their music . Therefore , typical attire consisted of black jeans and shirts , black ...
... addition , the band developed a consistent visual style that was intended to provide a parallel to the kinds of topics that were being explored in their music . Therefore , typical attire consisted of black jeans and shirts , black ...
Página 164
... addition , colored lights were directed toward the backdrop of the stage , therefore providing visual representations of planets . On the center of the backdrop was the " Ziggy insignia " which was flashed during the entire performance ...
... addition , colored lights were directed toward the backdrop of the stage , therefore providing visual representations of planets . On the center of the backdrop was the " Ziggy insignia " which was flashed during the entire performance ...
Índice
1 | 18 |
Semiology and Ideology | 27 |
The Limits of Subculture Theory | 37 |
Página de créditos | |
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Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol Van M. Cagle No hay ninguna vista previa disponible - 1995 |
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addition aesthetic album Alice Cooper analysis Andy Warhol artists attempt audience avant-garde band band's became began bisexual Bockris Bowie's British youth subcultures camp claims Clarke commercial concerning context created Creem cultural studies David Bowie DeFries developed dominant early Factory studio Factory subculture Factory's films Frith genre glitter fans glitter rock Grossberg Hebdige Hebdige's ideas ideological Iggy Pop incorporation interview Johansen London Lou Reed makeup Malanga manner Max's Melody Maker Morrissey musicians Nico notion out-there paintings performance played pop art Pop's popular culture posed premises produced punk record Reed's Resistance through Rituals result rock and roll rock critics rockers Rolling Stone Roxy Music scene seemed sense sexual social song stage Stooges stylistic subcul subcultural style subculture theory suggested superstar theatrical themes tion tour Velvet Underground visual Warhol and Hackett Warhol's Factory Warhol's pop Warholian York Dolls Ziggy Stardust