Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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On January 19 , 1972 , David Jones , aka David Bowie , was on the verge of customizing his own alter ego “ Ziggy Stardust , ” a bisexual " alien invader ” with a message that would guide the barometers of glitter rock and punk in the ...
As a result , RCA arranged for select American rock journalists to fly to the United Kingdom to attend the Ziggy performances . In a strategic manner , DeFries and RCA organized trips that coincided with Bowie's performances during the ...
Perhaps the most astounding feature of the Ziggy performances was the costuming . Although the costumes varied somewhat as the tour progressed , three often remained dominant no matter the locale . The first to become a Ziggy trademark ...
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