Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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From January 1972 and throughout the months of rehearsals that spring , the Dolls made it obvious that they were ... Britain's Roy Hollingsworth , already a committed Bowie / Lou Reed fan , believed that in the New York Dolls he had ...
At the same time that the Dolls attempted to both undermine and accentuate such differences on all levels , they also ... I will analyze the nature of this stance through investigating the musical tensions that the New York Dolls ...
In pondering the very notion of contextuality , however , most critics agreed that the Dolls unrefined image could actually be used as a springboard for creating effective publicity . In other words , this New York band was ...
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