Reconstructing Pop/Subculture: Art, Rock, and Andy WarholSAGE Publications, 17 abr 1995 - 240 páginas This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies. Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi |
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Página 74
... York Times and Rolling Stone critic John Rockwell : What Warhol and pop artists are trying to tell us and what composer John Cage has been telling us all along is that art isn't necessarily a product crafted pains- takingly by some ...
... York Times and Rolling Stone critic John Rockwell : What Warhol and pop artists are trying to tell us and what composer John Cage has been telling us all along is that art isn't necessarily a product crafted pains- takingly by some ...
Página 153
... York Dolls : Glitter Offshoots As the Bowie / Reed / Pop / Mott allegiance became noticeable , glitter rock had an impact on other bands as well . In turn , as a number of American and Brit- ish musicians and performers attempted to ...
... York Dolls : Glitter Offshoots As the Bowie / Reed / Pop / Mott allegiance became noticeable , glitter rock had an impact on other bands as well . In turn , as a number of American and Brit- ish musicians and performers attempted to ...
Página 162
... York Dolls ) , I would like to return once again to David Bowie and his portrayal of Ziggy Stardust . In discerning the impor- tance of this image in the United States during glitter's rise as a genre / style , we will eventually come ...
... York Dolls ) , I would like to return once again to David Bowie and his portrayal of Ziggy Stardust . In discerning the impor- tance of this image in the United States during glitter's rise as a genre / style , we will eventually come ...
Índice
1 | 18 |
Semiology and Ideology | 27 |
The Limits of Subculture Theory | 37 |
Página de créditos | |
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Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol Van M. Cagle No hay ninguna vista previa disponible - 1995 |
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addition aesthetic album Alice Cooper analysis Andy Warhol artists attempt audience avant-garde band band's became began bisexual Bockris Bowie's British youth subcultures camp claims Clarke commercial concerning context created Creem cultural studies David Bowie DeFries developed dominant early Factory studio Factory subculture Factory's films Frith genre glitter fans glitter rock Grossberg Hebdige Hebdige's ideas ideological Iggy Pop incorporation interview Johansen London Lou Reed makeup Malanga manner Max's Melody Maker Morrissey musicians Nico notion out-there paintings performance played pop art Pop's popular culture posed premises produced punk record Reed's Resistance through Rituals result rock and roll rock critics rockers Rolling Stone Roxy Music scene seemed sense sexual social song stage Stooges stylistic subcul subcultural style subculture theory suggested superstar theatrical themes tion tour Velvet Underground visual Warhol and Hackett Warhol's Factory Warhol's pop Warholian York Dolls Ziggy Stardust