Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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By the end of the month , he had relocated to New York and acquired a job illustrating short stories for Glamour . These drawings were admired by the art director of I. Miller , one of New York's most fashionable shoe sellers .
For there , Warhol gained his first official New York public opening , one that spawned controversy yet won him critical ... The Stable opening was highly publicized and , as a result , the gallery was filled with New York's most ...
Michael Myerberg , a prominent Broadway producer , contacted Warhol and offered to pay him a salary if he , Paul Morrissey , and the Factory entourage agreed to socialize at what was to become New York's first disco .
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