Reconstructing Pop/Subculture: Art, Rock, and Andy WarholSAGE Publications, 17 abr 1995 - 240 páginas This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies. Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi |
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Página 51
... Warhol's pop art and , subsequently , his relation to rock and roll . For Warhol , more than any other pop artist , both undermined and accentuated the boundaries of fine art through his repeatedly contradictory pop art pro- jects . With ...
... Warhol's pop art and , subsequently , his relation to rock and roll . For Warhol , more than any other pop artist , both undermined and accentuated the boundaries of fine art through his repeatedly contradictory pop art pro- jects . With ...
Página 70
... Warhol and the Factory to be noticed and to be on display . Amid all this , Warhol became much like the Coke bottles and soup cans that he had painted . He had little obvious allure , but the associations linked to him made him powerful ...
... Warhol and the Factory to be noticed and to be on display . Amid all this , Warhol became much like the Coke bottles and soup cans that he had painted . He had little obvious allure , but the associations linked to him made him powerful ...
Página 75
... Warhol's conceptual ideas and his confrontational approach certainly assured him a great amount of media attention . By the middle of the decade , Warhol had become the first American artist to construct himself as media superstar . As ...
... Warhol's conceptual ideas and his confrontational approach certainly assured him a great amount of media attention . By the middle of the decade , Warhol had become the first American artist to construct himself as media superstar . As ...
Índice
1 | 18 |
Semiology and Ideology | 27 |
The Limits of Subculture Theory | 37 |
Página de créditos | |
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Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol Van M. Cagle No hay ninguna vista previa disponible - 1995 |
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addition aesthetic album Alice Cooper analysis Andy Warhol artists attempt audience avant-garde band band's became began bisexual Bockris Bowie's British youth subcultures camp claims Clarke commercial concerning context created Creem cultural studies David Bowie DeFries developed dominant early Factory studio Factory subculture Factory's films Frith genre glitter fans glitter rock Grossberg Hebdige Hebdige's ideas ideological Iggy Pop incorporation interview Johansen London Lou Reed makeup Malanga manner Max's Melody Maker Morrissey musicians Nico notion out-there paintings performance played pop art Pop's popular culture posed premises produced punk record Reed's Resistance through Rituals result rock and roll rock critics rockers Rolling Stone Roxy Music scene seemed sense sexual social song stage Stooges stylistic subcul subcultural style subculture theory suggested superstar theatrical themes tion tour Velvet Underground visual Warhol and Hackett Warhol's Factory Warhol's pop Warholian York Dolls Ziggy Stardust