Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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These questions will become critical as we attempt to assess Andy Warhol's pop art and subsequently , his relation to rock and roll . For Warhol , more than any other pop artist , both undermined and accentuated the boundaries of fine ...
They came to Warhol and the Factory to be noticed and to be on display . Amid all this , Warhol became much like the Coke bottles and soup cans that he had painted . He had little obvious allure , but the associations linked to him made ...
Whether Warhol agreed or disagreed with these assessments is , of course , not known . Again , his refusal to comment on his work thus left it open to multiple interpretations by critics and viewers . At the same time , Warhol's ...
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