Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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The next day , Morrissey described the Velvet Underground to Andy Warhol , who immediately envisioned them as the house band at Myerberg's disco . As Warhol considered the possibilities that the Velvets might pose in terms of his own ...
Unaccustomed to West Coast conventions , the Velvets produced their typical multimedia floor show . It is no surprise , then , that many of those in attendance cheered the Mothers of Invention and heckled the Velvets .
But although most popular acid rock was harsh and laden with jams , the music on the Velvets ' White Light / White Heat had a much different grain . Overall , the music was abrasive , dominated by speed - inspired guitar rhythms .
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