Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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This suggestion resulted in compositions that forthrightly demonstrated the group's collective musical outlook ( " All Tomorrow Parties , " " Femme Fatale , " and " I'll Be Your Mirror ” ) . As Frith and Horne point out , Lou Reed's ...
It became the Lou Reed look , and in its turn , the look of the rock New Wave . ( 42 ) Here , we can also consider additional ways in which Lou Reed was drawn to the subcultural milieu at the Factory . For one , Reed was enthralled by ...
Lou Reed : The Shift Lou Reed retired from the Velvet Underground on August 23 , 1970 ; subsequently , he went into seclusion at his parent's Long Island home . By the summer of 1971 , he had returned to New York but seemed unsure of ...
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