Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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Such " disturbing of the senses ' repose ” ( Artaud 74 ) occurred quite literally as Iggy Pop often bounded from the stage directly onto audiences , a tactic that always induced concerted mayhem among his fans .
8 The Early 1970s THE FOREBEARERS OF UNDERGROUND ROCK FACE THE 1970s AS DAVID BOWIE CHARTS HIS COURSE Iggy Pop : The Chaos Continues For Iggy Pop , the early 1970s were years of struggle and ( to an extent ) demise .
For example , after meeting Iggy Pop , Bowie encouraged DeFries to conduct a management deal . In no uncertain terms , Bowie and DeFries saw Pop as belonging within their fold . As Nilsen and Sherman make clear , The plans for Iggy ...
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