Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol
SAGE Publications, 17 abr. 1995 - 240 páginas
This exploration of the phenomena of Andy Warhol's influence on glitter rock and pop art reconceptualizes and re-evaluates many of the theoretical claims of subculture theory. Reconstructing Pop//Subculture provides an historical account of the tensions that arose in Western culture during the 1960s and 1970s between various factions which were forced to engage in explicit confrontations//dichotomies.
Cagle proposes a theoretical framework that incorporates notions of productivity with reception and re-examines the critical relationships between style, youth culture, incorporation, hegemony and resistance. He focuses on the ways in which fans take up trends presented through the mass media and adopt them through disi
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Highly influenced by the literature of Kerovac and Burroughs and the music of King Curtis , Cliff Richard , and Bob Dylan , Bowie aspired to become a coffeehouse singer . Thus he presented himself in the traditional “ freak ” mode of ...
Warhol was most impressed with Bowie's arresting visual presence . Also , Warhol demonstrated appreciation when Bowie sang “ Andy Warhol , ” a personal tribute to the pop master . By the time that Bowie had left Warhol's studio ...
In reference to this period in his career , Angela Bowie reports : My husband could not have possibly envisaged the impact his simple statement was to have on public opinion . Social ethics and structures started to change .
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