CORINNE AT THE CAPITOL "Adieu, then, master of the midnight spell! 81 Some voice, perchance, by those lone graves may tell I haste to seek, from woods and valleys deep, CORINNE AT THE CAPITOL "Les femmes doivent penser qu'il est dans cette carriere bien peu de sorte qui puissent valoir la plus obscure vie d'une femme aimee et d'une mere heureuse."-MADAME DE STARL. DAUGHTER of the Italian heaven! Where the conqueror's passed of old; Now thou tread'st the ascending road Touched with many a gem-like stain. Thou has gained the summit now! Ω F Music, whose rich notes might stir Shaking with victorious notes Now afar it rolls-it dies- All the spirit of thy sky Now hath lit thy large dark eye, Radiant daughter of the sun! Happier, happier far than thou, With the laurel on thy brow, She that makes the humblest hearth Lovely but to one on earth! THE SONG OF NIGHT 8883 THE SONG OF NIGHT [SUGGESTED by Thorwaldsen's bas-relief of Night, represented under the form of a winged female figure, with two infants asleep in her arms.] "O Night, And storm and darkness! ye are wondrous strong, Yet lovely in your strength."-BYRON. I COME to thee, O Earth! With all my gifts!-for every flower sweet dew In bell and urn and chalice, to renew Not one which glimmering lies I come with every star; Making thy streams, that on their noon-day track, Give but the moss, the reed, the lily back, Mirrors of worlds afar. I come with peace, I shed Sleep through thy wood-walks, o'er the honey bee, The lark's triumphant voice, the fawn's young glee, The hyacinth's meek head. On my own heart I lay The weary babe; and sealing with a breath I come with mightier things! Who calls me silent? I have many tones- I waft them not alone From the deep organ of the forest shades, But in the human breast A thousand still small voices I awake, Strong, in their sweetness, from the soul to shake The mantle of its rest. I bring them from the past: From true hearts broken, gentle spirits torn, From crushed affections, which, tho' long o'erborne, Make their tones heard at last. I bring them from the tomb: O'er the sad couch of late repentant love I come with all my train: Who calls me lonely? Hosts around me tread, Looks from departed eyes, These are my lightnings: filled with anguish vain, Or tenderness too piercing to sustain, They smite with agonies. THE STORM-PAINTER IN HIS DUNGEON 85 I, that with soft control, Shut the dim violet, hush the woodland song, I, that shower dewy light Thro'slumbering leaves, bring storms-the tempest-birth THE STORM-PAINTER IN HIS DUNGEON [PIETRO MULIER, called Il Tempesta, from his surprising pictures of storms. "His compositions," says Lanzi, "inspire a real horror, presenting to our eyes death-devoted ships overtaken by tempests and darkness-fired by lightning-now rising on the mountain-wave, and again submerged in the abyss of ocean." During an imprisonment of five years in Genoa, the pictures which he painted in his dungeon were marked by additional power and gloom.-See LANZI's History of Painting, translated by Roscoe.] "Where of ye, O ye tempests, is the goal? Are ye like those that shake the human breast? Or do ye find at length, like eagles, some high nest?" MIDNIGHT, and silence deep! -The air is filled with sleep, BYRON. With the stream's whisper, and the citron's breath; Gleam through my dungeon-bars Wake, rushing winds! this breezeless calm is death! |