The Origins of Form in ArtThames & Hudson, 1965 - 207 páginas |
Índice
PREFACE | 7 |
ORIGINALITY II | 11 |
BEAUTY AND UGLINESS | 33 |
Página de créditos | |
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Términos y frases comunes
abstract achieved activity aesthetic animals archetypal architecture artifacts artist Beast beauty become British Museum Burke called civilization clarity classical concept Conrad Fiedler consciousness creation creative distinction emotion essay essence essentially evolution example existence experience expression faculty feeling Fiedler force formal Frank Lloyd Wright Franz Kline function gives Gothic Gothic architecture Greek hopeful monster human idea ideal individual inspiration instinct intellectual intelligence invention J. M. W. Turner Jean Dubuffet Jung kind magical material means mental metaphor mind modern art Muse nature Neolithic Neolithic period object organic organic architecture origins of form Ortega painting Palaeolithic period perception perhaps philosopher Plate Plato poem poet poetic poetry pop-art possessed principle problem psychology R. B. Kitaj reality realization refinement representation sculpture sensation sense sensibility shape significance skill spirit stone Stuart Davis style sublime symbolic terror things thought Tolstoy ugliness unconscious utilitarian Valéry values vital words