Joycean Frames: Film and the Fiction of James Joyce

Portada
Psychology Press, 2001 - 114 páginas
Employing concepts from film theory, this much-needed study explores in-depth the "cinematic" qualities of James Joyce's fiction, from Dubliners to Finnegan's Wake . Thomas Burkdall documents Joyce's biographical associations with the movies, explains the relationship of the modernist texts to the art and criticism of film, and examines the relationship of the reader to the text.
 

Índice

Joyce and Cinema
1
Chapter TwoThe New Fashionable Kinematographic Vein
19
Portraits of Reality
31
Film and Joycean Fantasy
65
From Film and Literature
97
Index
104
81
111
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