Alban Berg: Historical and Analytical Perspectives
Considered by many to be the most accessible of the Schoenberg-influenced composers who comprised the second Viennese school, Alban Berg demonstrated the possibilities of the twelve-tone system as an expansion of traditional methods. This volume presents essays written by leading American and British scholars that discuss Berg's life and cultural environment, his style and technique, and his unfinished second opera Lulu.
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Towards a Berg Biography
Berg and the Possibility of Popularity
Alban Berg and Creeping Chromaticism
The Piano Sonata Op 1
Retrograde and Circular Form in Berg
Alban Bergs Symphonic Epilogue to
An Early Version of the Prologue
Some Notes on the Completion of Lulu
Role and Form in Bergs Sketches for Lulu
The Lulu Character and the Character of Lulu
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