The Cinema of Eisenstein

Harvard University Press, 1993 - 316 páginas
Eisenstein led a busy, dramatic life. His achievements and adventures merit far more detailed investigation than can be undertaken here. What is useful for the purposes of this book is an overall orientation to his career, a framework within which we can situate his films and theoretical writings.

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The cinema of Eisenstein

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Bordwell (film studies, Univ. of Wisconsin) offers an academic piece on the work of famed Russian director Sergei Eisenstein, whose silent film Battleship Potemkim (1925) is considered by many to be ... Leer reseña completa

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Sobre el autor (1993)

David Bordwell is Jacques Ledoux Professor Emeritus of Film Studies at the University of Wisconsin-Madison. He holds a master's degree and a doctorate in film from the University of Iowa. His books include "The Films of Carl Theodor Dreyer" (University of California Press, 1981), "Narration in the Fiction Film" (University of Wisconsin Press, 1985), "Ozu and the Poetics of Cinema" (Princeton University Press, 1988), "Making Meaning: Inference and Rhetoric in the Interpretation of Cinema" (Harvard University Press, 1989), "The Cinema of Eisenstein" (Harvard University Press, 1993), "On the History of Film Style" (Harvard University Press, 1997), "Planet Hong Kong: Popular Cinema and the Art of Entertainment" (Harvard University Press, 2000), "Figures Traced in Light: On Cinematic Staging" (University of California Press, 2005), "The Way Hollywood Tells It: Story and Style in Modern Movies" (University of California Press, 2006), and "The Poetics of Cinema" (Routledge, 2008). He has won a University Distinguished Teaching Award and was awarded an honorary degree by the University of Copenhagen. His we site is

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