Be she likewise one of those, Be her cheeks so shallow too, As to shew her tongue wag through: And her grinders black as jet; Ha's she thinne haire, hath she none, TO ANTHEA. F, deare Anthea, my hard fate it be IF To live some few-sad-howers after thee: Thy sacred corse with odours I will burne; And with my lawrell crown thy golden vrne. Then holding up, there, such religious things, As were, time past, thy holy filitings: Nere to thy reverend pitcher I will fall Down dead for grief, and end my woes withall: So three in one small plat of ground shall ly, Anthea, Herrick, and his poetry. I THE WEEPING CHERRY. SAW a cherry weep, and why? Because my Julia's lip was by, And did out-red the same. But, pretty fondling, let not fall For tincture, wonder at. SOFT MUSICK. HE mellow touch of musick most doth wound THE The soule, when it doth rather sigh, then sound. THE DIFFERENCE BETWIXT KINGS AND SUBIECTS. WIXT kings and subjects ther's this mighty odds, Subjects are J' L taught by men; kings by the Gods. UPON JULIA'S FALL. ULIA was carelesse, and withall, She rather took, then got a fall: And ravish'd thus, it came to passe, EXPENCES EXHAUST. IVE with a thrifty, not a needy fate; LOVE WHAT IT IS. LOVE is a circle that doth restlesse move WHEN PRESENCE AND ABSENCE. WHEN what is lov'd is present, love doth spring; But being absent, love lies languishing. 'O me my Julia lately sent A bracelet richly redolent : The beads I kist, but most lov'd her THE SHOOE-TYING. ANTHEA bade me tye her shooe; I did; and kist the instep too : And would have kist unto her knee, IN THE CARKANET. NSTEAD of orient pearls of jet, About her spotlesse neck she knit HIS SAILING FROM JULIA. HEN that day comes, whose evening sayes I'm WH gone Unto that watrie desolation: Devoutly to thy closet-gods then pray, For one Give my dead picture one engendring kisse : Work that to life, and let me ever dwell In thy remembrance, Julia. So farewell. How THE WALL-FLOWER CAME FIRST, AND WHY SO CALLED. WHY this flower is now call'd so, List, sweet maids, and you shal know. Understand, this first-ling was Once a brisk and bonny lasse, Kept as close as Danae was: Who a sprightly springall lov'd, And to have it fully prov'd, Up she got upon a wall, WHY FLOWERS CHANGE COLOUR. HESE fresh beauties, we can prove, THES Once were virgins sick of love, Turn'd to flowers. Still in some Colours goe, and colours come. TO HIS MISTRESSE OBJECTING TO HIM NEITHER TOYING OR TALKING. OU say I love not, 'cause I doe not play You Still with your curles, and kisse the time away. You blame me too, because I cann't devise Some sport, to please those babies in your eyes: Deep waters noyse-lesse are; and this we know, UPON THE LOSSE OF HIS MISTRESSES. I HAVE lost, and lately, these Many dainty mistresses : Stately Julia, prime of all; |