Medieval Music-Making and the Roman de Fauvel

Cambridge University Press, 7 oct. 2002 - 304 páginas
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This book explores the role of music in an early fourteenth-century French manuscript. It sets the manuscript against the wider culture of Parisian book-making, showing how in devising new systems of design and folio layout, its creators developed a new kind of materiality in music. It also illustrates how music is expressive in ways that are unperformable apart from its visual representation, and argues that the new attitudes to material music making embodied in the manuscript serve as a model for exploring other music manuscripts to emerge in late medieval France.

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approaches to the interpretation
Chaillous authorial presence
a compiler for fr 146 147
The poetic use of song space
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Referencias a este libro

Musicology: The Key Concepts
David Beard,Kenneth Gloag
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Sobre el autor (2002)

Emma Dillon is Assistant Professor of Music at the University of Pennsylvania. She specialises in French medieval music and is a contributor to Fauvel Studies (1998).

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