Robertson Davies: A Mingling of Contrarieties

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Camille R. La Bossière, Linda M. Morra
University of Ottawa Press, 2001 - 178 páginas

This collection of essays on the writing of Robertson Davies addresses the basic problems in reading his work by looking at the topics of doubling, disguise, irony, paradox, and dwelling in "gaps" or spaces "in between." The essays present new insights on a broad range of topics in Davies oeuvre and represent one of the first major discussions devoted to Davies' work since his death in 1995.

Publishled in English.

 

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Índice

Davies Tristramgistus
1
Perspectives on the Masks of Robertson Davies
13
The Humour of Robertson Davies
33
Shadows of Determinism in the Salterton Novels
45
Robertson Davies and Shamanstvo
57
The Leaven of Wine and Spirits in the Fiction of Robertson Davies
67
Postmodern Elements in the Plays of Robertson Davies
81
Doubling in World of Wonders
99
Hermeneutics Artifice and Authenticity in Robertson Davies Whats Bred in the Bone
111
The Myth and Magic of a Textual Truth andor a Metaphorical Reading of The Deptford Trilogy
125
Questioning Contradictions and Ethics in The Cornish Triptych
147
Medical Consultation for Murther and Walking Spirits and The Cunning Man
157
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Página 1 - To see her beauties no man needs to stoop, She has the whole horizon for her hoop. 4. The ANTITHESIS, or SEE-SAW,! whereby contraries and oppositions are balanced in such a way, as to cause a reader to remain suspended between them, to his exceeding delight and recreation. Such are these on a lady, who made herself appear out of size, by hiding a young princess under her clothes : — While the kind nymph, changing her faultless shape, Becomes unhandsome, handsomely to 'scape.

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