Cobbett's Cyclopedic Survey of Chamber Music, Volumen 3Walter Willson Cobbett, Colin M. Mason Oxford University Press, 1963 - 211 páginas |
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Página 72
... throughout each movement , rarely found in his later works . The first movement is in effect monothematic , the second subject being a continuation of the first ( see Ex . 91 ) , with a short new Vn . Ex . 91 Con moto J. 60 Sul An Pf ...
... throughout each movement , rarely found in his later works . The first movement is in effect monothematic , the second subject being a continuation of the first ( see Ex . 91 ) , with a short new Vn . Ex . 91 Con moto J. 60 Sul An Pf ...
Página 93
... throughout the recapitulation , in which the " Tempo primo ' is represented , at the " Tempo secundo ' , as in Ex . 110 , simultaneously with the development - cum - recapitulation Ex . 109 Vn . I Allegro vivo ( Tempo secundo ) ↓ = 160 ...
... throughout the recapitulation , in which the " Tempo primo ' is represented , at the " Tempo secundo ' , as in Ex . 110 , simultaneously with the development - cum - recapitulation Ex . 109 Vn . I Allegro vivo ( Tempo secundo ) ↓ = 160 ...
Página 129
... throughout . The harp part is mainly harmonic ( chordal ) , not contrapuntal in conception , and the contrapuntal lines in the sections for flute and clarinet are serially complementary throughout , never independent . There is no ...
... throughout . The harp part is mainly harmonic ( chordal ) , not contrapuntal in conception , and the contrapuntal lines in the sections for flute and clarinet are serially complementary throughout , never independent . There is no ...
Índice
CHAMBER MUSIC IN BRITAIN SINCE 1929 By Colin Mason | 82 |
RUSSIAN CHAMBER MUSIC | 123 |
CHAMBER MUSIC IN AMERICA By Nicolas Slonimsky | 152 |
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Términos y frases comunes
Adagio Allegretto Allegro American composers Andante bars Bartók bassoon Born cadenza canon cello and piano Cello Sonata chamber music chamber-music character characteristic chord coda composition concert contrapuntal counterpoint Died dissonant dodecaphonic double bass ensemble episodes exposition finale five movements flute four movements fourth fugue harmonic harp Hindemith horn idiom inversion last movement Lento lyrical main theme marked ment middle section Milhaud minor molto neo-classical notes oboe Octet opening original percussion phrase Piano Quintet Piano Trio pizz Presto published recapitulation reprise retrograde rhythm rhythmic rondo scherzo Schoenberg score second movement second subject Serenade serial Sextet similar slow movement solo Sonata for cello Sonata for violin sonata form Sonatina song Stravinsky String Quartet String Trio style symmetrical technique tempo ternary form texture thematic material third movement three movements tonal traditional twelve-note technique viola violin and piano Violin Sonata Webern wind instruments Wind Quintet written