Cobbett's Cyclopedic Survey of Chamber Music, Volumen 3Walter Willson Cobbett, Colin M. Mason Oxford University Press, 1963 - 211 páginas |
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Página 14
... lyrical , and more readily engaging to the ear than that of much of Hindemith's music , owing to a slightly greater indulgence than usual in ear - tickling harmonic effects , particularly in various kinds of major - minor false ...
... lyrical , and more readily engaging to the ear than that of much of Hindemith's music , owing to a slightly greater indulgence than usual in ear - tickling harmonic effects , particularly in various kinds of major - minor false ...
Página 52
... lyrical in conception . Although the actual musical material remains basically lyrical , there is a certain deliberate , almost ' academic ' , severity in the mainly contrapuntal working out of it , which , despite the extended scale of ...
... lyrical in conception . Although the actual musical material remains basically lyrical , there is a certain deliberate , almost ' academic ' , severity in the mainly contrapuntal working out of it , which , despite the extended scale of ...
Página 123
... lyrical expression and composition . To achieve that , apprenticeship to a trade is necessary . ' . . . These words of Cingria seemed to apply with the utmost appropriate- ness to the work I had in hand . My object was to create a lyrical ...
... lyrical expression and composition . To achieve that , apprenticeship to a trade is necessary . ' . . . These words of Cingria seemed to apply with the utmost appropriate- ness to the work I had in hand . My object was to create a lyrical ...
Índice
CHAMBER MUSIC IN BRITAIN SINCE 1929 By Colin Mason | 82 |
RUSSIAN CHAMBER MUSIC | 123 |
CHAMBER MUSIC IN AMERICA By Nicolas Slonimsky | 152 |
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Términos y frases comunes
Adagio Allegretto Allegro American composers Andante bars Bartók bassoon Born cadenza canon cello and piano Cello Sonata chamber music chamber-music character characteristic chord coda composition concert contrapuntal counterpoint Died dissonant dodecaphonic double bass ensemble episodes exposition finale five movements flute four movements fourth fugue harmonic harp Hindemith horn idiom inversion last movement Lento lyrical main theme marked ment middle section Milhaud minor molto neo-classical notes oboe Octet opening original percussion phrase Piano Quintet Piano Trio pizz Presto published recapitulation reprise retrograde rhythm rhythmic rondo scherzo Schoenberg score second movement second subject Serenade serial Sextet similar slow movement solo Sonata for cello Sonata for violin sonata form Sonatina song Stravinsky String Quartet String Trio style symmetrical technique tempo ternary form texture thematic material third movement three movements tonal traditional twelve-note technique viola violin and piano Violin Sonata Webern wind instruments Wind Quintet written