Cobbett's Cyclopedic Survey of Chamber Music, Volumen 3Walter Willson Cobbett, Colin M. Mason Oxford University Press, 1963 - 211 páginas |
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Página 47
... characteristic of the later Messiaen . The soprano aria is preceded by a tenor recitative , with two brief interruptions by the soprano and two unaccompanied phrases contributed by the violin . There is much also in the Theme and ...
... characteristic of the later Messiaen . The soprano aria is preceded by a tenor recitative , with two brief interruptions by the soprano and two unaccompanied phrases contributed by the violin . There is much also in the Theme and ...
Página 103
... characteristic calls and arpeggios . Sometimes the call is the text of the music itself , e.g. , in the fugue ; sometimes the calls make accompaniment to a solo , e.g. , in the nocturne Alan RAWSTHORNE ( b . 1905 ) , like Britten ...
... characteristic calls and arpeggios . Sometimes the call is the text of the music itself , e.g. , in the fugue ; sometimes the calls make accompaniment to a solo , e.g. , in the nocturne Alan RAWSTHORNE ( b . 1905 ) , like Britten ...
Página 137
... characteristic of the first movement is the broad and leisurely exposition section , with its hauntingly beautiful thematic material , contrasted with the comparatively compact treatment of the development — a rare enough feature in the ...
... characteristic of the first movement is the broad and leisurely exposition section , with its hauntingly beautiful thematic material , contrasted with the comparatively compact treatment of the development — a rare enough feature in the ...
Índice
CHAMBER MUSIC IN BRITAIN SINCE 1929 By Colin Mason | 82 |
RUSSIAN CHAMBER MUSIC | 123 |
CHAMBER MUSIC IN AMERICA By Nicolas Slonimsky | 152 |
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Términos y frases comunes
Adagio Allegretto Allegro American composers Andante bars Bartók bassoon Born cadenza canon cello and piano Cello Sonata chamber music chamber-music character characteristic chord coda composition concert contrapuntal counterpoint Died dissonant dodecaphonic double bass ensemble episodes exposition finale five movements flute four movements fourth fugue harmonic harp Hindemith horn idiom inversion last movement Lento lyrical main theme marked ment middle section Milhaud minor molto neo-classical notes oboe Octet opening original percussion phrase Piano Quintet Piano Trio pizz Presto published recapitulation reprise retrograde rhythm rhythmic rondo scherzo Schoenberg score second movement second subject Serenade serial Sextet similar slow movement solo Sonata for cello Sonata for violin sonata form Sonatina song Stravinsky String Quartet String Trio style symmetrical technique tempo ternary form texture thematic material third movement three movements tonal traditional twelve-note technique viola violin and piano Violin Sonata Webern wind instruments Wind Quintet written