A Manual of Harmony for Use in Music-schools and Seminaries and for Self-instruction

according appear arsis Augm augmented chord BACH bass bass-note belonging beside C-major C-minor called changing CHAPTER character chromatic chromatic semitone close combined composers composition connected consonances correct derived diatonic Dimin diminished Direct progr dissonant dominant dominant chord double employed equal example exercises explanation fifth fifth and sixth figures formed formula four fourth and sixth fundamental given gives harmony indicated intervals inversion latter laws lower major third manner marked measure melodic minor mode modulation musical named natural necessary notes observed occur octave organ-point parallel passing perfect fifth period pitch position practice prepared present progression proportion pupil raised regarded remaining remarked resolution rule scale seventh seventh degree sharp shown shows simple sixth degree soprano step strict student sub-dominant succession Suspension taken temperament thesis tion tone tonic triad triad upward various vibrations whole tone writes written