Reflections on Liszt

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Cornell University Press, 2005 - 277 páginas
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"No one knows more about Franz Liszt than Alan Walker."—Malcolm Bowie, Times Literary SupplementIn a series of lively essays that tell us much not only about the phenomenon that was Franz Liszt but also about the musical and cultural life of nineteenth-century Europe, Alan Walker muses on aspects of Liszt's life and work that he was unable to explore in his acclaimed three-volume biography of the great composer and pianist. Topics include Liszt's contributions to the Lied, the lifelong impact of his encounter with Beethoven, his influence on students who became famous in their own right, his accomplishments in transcribing and editing the works of other composers, and his innovative piano technique. One chapter is devoted to the Sonata in B Minor, perhaps Liszt's single most celebrated composition.Walker draws heavily on Liszt's astonishingly large personal correspondence with other composers, critics, pianists, and prominent public figures. All the essays reveal Walker's broad and deep knowledge of Liszt and Romantic music generally and, in some cases, his impatience with contemporary performance practice.
 

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Índice

Liszt and the Beethoven Symphonies
2
Liszt and the Schubert Song Transcriptions
31
Schumann Liszt and the C Major Fantasie op
40
Three Character Sketches
51
Liszts Sonata in B Minor
129
Liszt and the Lied
151
Liszt as Editor
175
Some Thoughts and Afterthoughts
202
On Music and Musicians
217
An Open Letter to Franz Liszt
239
Sources 257
259
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The Clever Body
Gabor Csepregi
Vista previa restringida - 2006

Sobre el autor (2005)

Alan Walker is Professor of Music at McMaster University. He was awarded the Commemorative Plaque of the Budapest Liszt Society for his contributions to Liszt scholarship.

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