river, and the goodly country about it, especially the forest. At the bottom, is a parterre; the upper terrace near half a mile in length, with double declivities, arched and balustered with stone, of vast and royal cost.

In the pavilion of the new Castle are many fair rooms, well painted, and leading into a very noble garden and park, where is a pall-mall, in the midst of which, on one of the sides, is a chapel, with stone cupola, though small, yet of a handsome order of architecture. Out of the park you go into the forest, which being very large, is stored with deer, wild boars, wolves, and other wild game. The Tennis Court, and Cavallerizzo, for the menaged horses, are also observable.

We returned to Paris by Madrid, another villa of the King's, built by Francis I. and called by that name to absolve him of his oath that he would not go from Madrid (in which he was prisoner), in Spain, but from whence he made his escape. This house is also built in a park, and walled in. We next called in at the Bonnes-hommes, well-situated, with a fair chapel and library.

1 March. I went to see the Count de Liancourt's Palace in the Rue de Seine, which is well built. Towards his study and bedchamber joins a little garden, which, though very narrow, by the addition of a well-painted perspective, is to appearance greatly enlarged; to this there is another part, supported by arches, in which runs a stream of water, rising in the aviary, out of a statue, and seeming to flow for some miles, by being artificially continued in the painting, when it sinks down at the wall. It is a very agreeable deceit. At the end of this garden, is a little theatre, made to change with divers pretty scenes, and the stage so ordered, with figures of men and women painted on light boards, and cut out, and, by a person who stands underneath, made to act as if they were speaking, by guiding them, and reciting words in different tones, as the parts require. We were led into a round cabinet, where was a neat invention for reflecting lights, by lining divers sconces with thin shining plates of gilded copper.

In one of the rooms of state was an excellent painting of Poussin, being a Satyr kneeling; over the chimney, the Coronation of the Virgin, by Paulo Veronese; another Madonna over the door, and that of Joseph, by Cigali; in

the Hall, a Cavaliero di Malta, attended by his page, said to be of Michael Angelo; the Rape of Proserpine, with a very large landscape of Correggio. In the next room, are some paintings of Primaticcio, especially the Helena, the naked Lady brought before Alexander, well-painted, and a Ceres. In the bed-chamber a picture of the Cardinal de Liancourt, of Raphael, rarely coloured. In the cabinet are divers pieces of Bassano, two of Polemburg, four of Paulo Brill, the skies a little too blue. A Madonna of Nicholao, excellently painted on a stone; a Judith of Mantegna; three women of Jeronimo; one of Stenwick; a Madonna after Titian, and a Magdalen of the same hand, as the Count esteems it: two small pieces of Paulo Veronese, being the Martyrdoms of St. Justina and St. Catherine; a Madonna of Lucas Van Leyden, sent him from our King; six more of old Bassano; two excellent drawings of Albert; a Magdalen of Leonardo da Vinci; four of Paulo; a very rare Madonna of Titian, given him also by our King; the Ecce Homo, shut up in a frame of velvet, for the life and accurate finishing exceeding all description. Some curious agates, and a chaplet of admirable invention, the intaglios being all on fruit stones. The Count was so exceeding civil, that he would needs make his Lady go out of her dressing-room, that he might show us the curiosities and pictures in it.

We went thence to visit one Monsieur Perishot, one of the greatest virtuosos in France, for his collection of pictures, agates, medals, and flowers, especially tulips and anemonies. The chiefest of his paintings was a Sebastian, of Titian.

From him we went to Monsieur Frene's, who shewed us many rare drawings, a Rape of Helen in black chalk; many excellent things of Sneiders. all naked; some of Julio and Michael Angelo; a Madonna of Passignano; some things of Parmensis, and other masters.

The next morning, being recommended to one Monsieur de Hausse, President du Parliament, and once Ambassador at Venice for the French King, we were very civilly received, and shewed his library. Amongst his paintings were, a rare Venus and Adonis of Veronese, a St. Anthony, after the first manner of Correggio, and a rare Madonna of Palma.

Sunday, the 6th. I went to Charenton, two leagues from Paris, to hear and see the manner of the French Protestant Church service. The place of meeting they call the Temple, a very fair and spacious room, built of freestone, very decently adorned with paintings of the Tables of the Law, the Lord's Prayer, and Creed. The pulpit stands at the upper end in the middle, having an inclosure of seats about it, where the Elders, and persons of greatest quality and strangers, sit; the rest of the congregation on forms and low stools, but none in pews, as in our churches, to their great disgrace, and nothing so orderly, as here the stools and other cumber are removed when the assembly rises. I was greatly pleased with their harmonious singing the Psalms, which they all learn perfectly well, their children being as duly taught these, as their catechism.

In our passage, we went by that famous bridge over the Marne, where that renowned echo returns the voice of a good singer nine or ten times.

7th. I set forwards with some company towards Fontainebleau, a sumptuous Palace of the King's, like ours at Hampton Court, about fourteen leagues from the city. By the way, we pass through a forest so prodigiously encompassed with hideous rocks of whitish hard stone, heaped one on another in mountainous heights, that I think the like is nowhere to be found more horrid and solitary. It abounds with stags, wolves, boars, and not long after a lynx, or ounce, was killed amongst them, which had devoured some passengers. On the summit of one of these gloomy precipices, intermingled with trees and shrubs, the stones hanging over, and menacing ruin, is built an hermitage. In these solitudes, rogues frequently lurk and do mischief (and for whom we were all well appointed with our carabines); but we arrived save in the evening at the village, where we lay at the Horne, going early next morning to the Palace.

This House is nothing so stately and uniform as Hampton-Court, but Francis I. began much to beautify it; most of all Henry IV. (and not a little) the late King. It abounds with fair halls, chambers, and galleries; in the longest, which is 360 feet long, and 18 broad, are painted the Victories of that great Prince, Henry IV.

That of Francis I. called the grand Gallery, has all the King's Palaces painted in it; above these, in sixty pieces of excellent work in fresco, is the History of Ulysses, from Homer, by Primaticcio, in the time of Henry III., esteemed the most renowned in Europe for the design. The Cabinet is full of excellent pictures, especially a Woman, of Raphael. In the Hall of the Guards is a piece of tapestry painted on the wall, very naturally, representing the Victories of Charles VII. over our countrymen. In the Salle des Festins is a rare Chimney-piece, and Henry IV. on horseback, of white marble, esteemed worth 18,000 crowns; Clementia and Pax, nobly done. On columns of jasper, two lions of brass. The new stairs, and a half circular court, are of modern and good architecture, as is a chapel built by Louis XIII., all of jasper, with several incrustations of marble through the inside.

Having seen the rooms, we went to the volary, which has a cupola in the middle of it, great trees and bushes, it being full of birds who drank at two fountains. There is also a fair tennis-court, and noble stables; but the beauty of all are the gardens. In the Court of the Fountains stand divers antiquities and statues, especially a Mercury. In the Queen's Garden is a Diana ejecting a fountain, with numerous other brass statues.

The great Garden, 180 toises long and 154 wide, has in the centre a fountain of Tyber of a Colossean figure of brass, with the Wolf over Romulus and Remus. At each corner of the garden rises a fountain. In the garden of the piscina, is a Hercules of white marble: next, is that of the pines, and without that a canal of an English mile in length, at the end of which rise three jettos in the form of a fleur-de-lis, of a great height; on the margin are excellent walks planted with trees. The carps come familiarly to hand [to be fed]. Hence, they brought us to a spring, which they say being first discovered by a dog, gave occasion of beautifying this place, both with the palace and gardens. The white and terrific rocks at some distance in the forest, yield one of the most august and stupendous prospects imaginable. The park about this place is very large, and the town full of noblemen's houses.

Next morning, we were invited by a painter, who was

keeper of the pictures and rarities, to see his own collection. We were led through a gallery of old Rosso's work, at the end of which, in another cabinet, were three Madonnas of Raphael, and two of Andrea del Sarto. In the Academy where the Painter himself wrought, was a St. Michael, of Raphael, very rare; St. John Baptist, of Leonardo, and a Woman's head; a Queen of Sicily, and St. Margaret, of Raphael; two more Madonnas, whereof one very large, by the same hand; some more of del Sarto; a St. Jerome, of Perino del Vaga; the Rape of Proserpine, very good; and a great number of drawings.

Returning part of our way to Paris, that day, we visited a house called Maison Rouge, having an excellent prospect, grot, and fountains, one whereof rises fifty feet,and resembles the noise of a tempest, battles of guns, &c. at its issue.

Thence to Essone, a house of Monsieur Essling, who is a great virtuoso; there are many good paintings in it; but nothing so observable as his gardens, fountains, fish-pools, especially that in a triangular form, the water cast out by a multitude of heads about it; there is a noble cascade and pretty baths, with all accommodations. Under a marble table is a fountain of serpents twisting about a globe.

We alighted next at Corbeil, a town famous for the siege by Henry IV. Here we slept, and returned next morning to Paris.

18th -. I went with Sir J. Cotton, a Cambridgeshire Knight, a journey into Normandy. The first day, we passed by Gaillon, the Archbishop of Rouen's Palace. The gardens are highly commended, but we did not go in, intending to reach Pontoise, by dinner. This town is built in a very gallant place, has a noble bridge over the Oise, and is well refreshed with fountains.

This is the first town in Normandy, and the farthest that the vineyards extend to on this side of the country, which is fuller of plains, wood, and enclosures, with some towns towards the sea, very like England.

We lay this night at a village, called Magny. The next day, descending a very steep hill, we dined at Fleury, after riding five leagues down St. Catherine, to Rouen, which affords a goodly prospect, to the ruins of that chapel and mountain. This country so abounds with