The American Dream and the Popular Novel

achievement affluence American analysis appear assumptions attended audience authors become Bell bestselling novels born called central character City complex conventions corporate cultural describe developments discussion entrepreneurial especially ethos evidence examining example express fact feel felt fiction give hand hardcover heroes historical ideal important independent individual industry institutional interpretation kind Lasch less limited lists literary literature lives look mass meaning Mills moral novelists numbers organizations past percent perhaps period popular possibility present Press problems production progress publishing question readers reading reality reflect relationship relatively represents response rewards Riesman seems Sennett sense sexual shift similar social critics society stories structure success texts thought tion traditional turn understand University values Whyte women writing York young