Wölfflin's Principles in Spanish Drama: 1500-1700, Volumen 119

absolute clarity absolute unity action Alboacén Américo Castro art history artist Astolfo Audalla Barock Baroque art Baroque play Baroque theater barroco Basilio Calderón characters chief motive Christian Clarín Classical clear closed form Clotaldo Clytemnestra comedia Comendador concept connection contrast convergence course criticism Culteranismo decorative Defense of Monarchy discussion distracting divine grace dominant drama effect elements emotional española esthetic Estrella evident final scene Frondoso Fuenteovejuna fusion ideal of beauty ideas ideological indicated Inés Isabela king knight last scene Laurencia linear lines literature logical development Lope Madrid ment mocedades del Cid movement Muley Nise lastimosa Nobles occurs open form Orestes painterly painting period pintura plastic arts present principal theme principles pues recession relation Renaissance Rodrigo Rosaura Sancho says Segismundo Segismundo-Basilio seventeenth century single plot sixteenth century soliloquy spectator speech sub-plots tion Urraca Ut pictura poesis vida es sueño viii Wölfflin Ximena