Blackwood's Magazine, Volumen 46W. Blackwood., 1839 |
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Página 5
... principles than that of La Harpe , certainly breathes more of the rationalizing spirit of the first half of the eighteenth century , which it illustrates , than of the nine- teenth , amidst the stormy influences of which it has been ...
... principles than that of La Harpe , certainly breathes more of the rationalizing spirit of the first half of the eighteenth century , which it illustrates , than of the nine- teenth , amidst the stormy influences of which it has been ...
Página 6
... principles in dramatic composition so firmly , that they soon became unalter- able rules , from which no dramatist could safely venture to deviate . Such were the invariable introduction of love as the moving principle of the drama ...
... principles in dramatic composition so firmly , that they soon became unalter- able rules , from which no dramatist could safely venture to deviate . Such were the invariable introduction of love as the moving principle of the drama ...
Página 7
... principle , besides an attack on the unities , was this , that the drama gained nothing by being written in verse ... principles which he was disposed to recognise as just , seems to correspond with the manner in which such ...
... principle , besides an attack on the unities , was this , that the drama gained nothing by being written in verse ... principles which he was disposed to recognise as just , seems to correspond with the manner in which such ...
Página 8
... principles of which are not only unharmonious , but in many respects contradictory . It is well known that , in the opinion of certain ... principle that good poetry was only French Literature of the Eighteenth Century . [ July ,
... principles of which are not only unharmonious , but in many respects contradictory . It is well known that , in the opinion of certain ... principle that good poetry was only French Literature of the Eighteenth Century . [ July ,
Página 9
... principle that good poetry was only good prose , with the addition of measure and rhyme , he was frequently prosaic and negligent in his verses . He had few of those bold forms of expression , those origi- nal turns , and those bold ...
... principle that good poetry was only good prose , with the addition of measure and rhyme , he was frequently prosaic and negligent in his verses . He had few of those bold forms of expression , those origi- nal turns , and those bold ...
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