Blackwood's Magazine, Volumen 46 |
Dentro del libro
Resultados 1-5 de 100
Página 3
of the eighteenth century were come more of the rationalizing spirit of the posed ; and of their principles of com- first half of the eighteenth century , position , so much more in harmony which it illustrates , than of the nines with ...
of the eighteenth century were come more of the rationalizing spirit of the posed ; and of their principles of com- first half of the eighteenth century , position , so much more in harmony which it illustrates , than of the nines with ...
Página 4
... to many neille and Racine had fixed certain of the compositions of Bossuet on principles in dramatic composition ... a love as the moving principle of the school analogous to that of Tillotson drama , even amidst circumstances and ...
... to many neille and Racine had fixed certain of the compositions of Bossuet on principles in dramatic composition ... a love as the moving principle of the school analogous to that of Tillotson drama , even amidst circumstances and ...
Página 5
“ Unfortu . principle , besides an attack on the nately , ” as Villemain dryly observes , unities , was this , that the drama gained she is not always quite so infernal as nothing by being written in verse ; he seems to think .
“ Unfortu . principle , besides an attack on the nately , ” as Villemain dryly observes , unities , was this , that the drama gained she is not always quite so infernal as nothing by being written in verse ; he seems to think .
Página 6
... amalgamating two dramatic systems , tached to rules , should reconcile itself the principles of which are not only to the idea of witnessing the history of unharmonious , but in many respects Coriolanus divided into several acts .
... amalgamating two dramatic systems , tached to rules , should reconcile itself the principles of which are not only to the idea of witnessing the history of unharmonious , but in many respects Coriolanus divided into several acts .
Página 7
Setting out with the principle that poetical - still further excited by the good poetry was only good prose , with romantic and occasionally extravagant the addition of measure and rhyme , he tone of the Spanish drama , which was ...
Setting out with the principle that poetical - still further excited by the good poetry was only good prose , with romantic and occasionally extravagant the addition of measure and rhyme , he tone of the Spanish drama , which was ...
Comentarios de usuarios - Escribir una reseña
No hemos encontrado ninguna reseña en los sitios habituales.
Índice
| 100 | |
| 116 | |
| 145 | |
| 170 | |
| 177 | |
| 194 | |
| 202 | |
| 212 | |
| 228 | |
| 256 | |
| 272 | |
| 304 | |
| 317 | |
| 345 | |
| 494 | |
| 529 | |
| 548 | |
| 715 | |
| 733 | |
| 744 | |
| 752 | |
| 767 | |
| 775 | |
| 781 | |
| 799 | |
| 812 | |
| 832 | |
Otras ediciones - Ver todo
Términos y frases comunes
able appear arms authority beauty become better called cause character Church classes common course Court death doubt effect empire equal existence eyes father feel force French give Government ground hand head heard heart heaven hope hour human important interest Italy kind land least less light live look Lord matter means ment mind nature never night object observe once party pass perhaps person picture poet poetry political poor possession present principle question reason rest Russia scene seems seen side song soon speak spirit stand sure taste tell thee thing thou thought tion Titmouse true turn whole wish young