The Performance of Coloration, Sesquialtera, and Hemiolia (1450-1750)

17th century 8th-note according actually altera appear battuta beat binary black breve black minims black notes black semibreve blackened breve called causes Chapter color common composers composition concerning considered consists contains cromes divided dotted dotted figures downstroke drey duple Edited effect equal equal tactus figures final four fourth Franchinus French gigues given groups half hemiolia hemiolia minor illustration imperfect imperfect tempus indicate Italian latter lose major manner means measure method modo Musica normal notated Noten numero perfect perfect prolation performance piece placed practice presented proportion proportione reason represent resolution rests rhythm rules seen semi semiminims sesquialtera shown in Example shows signatures sing sometimes style sung syncopation Tact tactus tempo ternary three black tribrachic tripla triplets trochaic unequal valore voices worth written