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THE KITTEN.

Joanna Baillie.

WANTON drole, whose harmless play
Beguiles the rustic's closing day,
When drawn the evening fire about,
Sit aged Crone, and thoughtless Lout,
And child upon his three-foot stool,
Waiting till his supper cool;

And maid, whose cheek outblooms the rose,
As bright the blazing faggot glows,

Who, bending to the friendly light,
Plies her task with busy sleight;

Come, show thy tricks and sportive graces,
Thus circled round with merry faces.

Backward coil'd, and crouching low,
With glaring eye-balls watch thy foe,
The housewife's spindle whirling round,
Or thread, or straw, that on the ground
Its shadow throws, by urchin sły
Held out to lure thy roving eye;
Then, onward stealing, fiercely spring
Upon the futile, faithless thing.

Now, wheeling round with bootless skill,

Thy bo-peep tail provokes thee still,

As oft beyond thy curving side

Its jetty tip is seen to glide;

Till from thy centre starting far,

Thou sidelong rear'st with rump in air,

Erected stiff, and gait awry,

Like Madam in her tantrums high:

Though ne'er a Madam of them all,
Whose silken kirtle sweeps the hall,
More varied trick and whim displays,
To catch the admiring stranger's gaze.

Doth power in measured verses dwell,
All thy vagaries wild to tell?
Ah no! the start, the jet, the bound,
The giddy scamper round and round,
With leap, and jerk, and high curvet,
And many a whirling summerset,
(Permitted be the modern Muse
Expression technical to use)

These mock the deftest rhymester's skill,
But poor in art, through rich in will.

The featest tumbler, stage-bedight,

To thee is but a clumsy wight,
Who every limb and sinew strains
To do what costs thee little pains,
For which, I trow the gaping crowd
Requites him oft with plaudits loud;
But, stopped the while thy wanton play,
Applauses, too, thy feats repay;
For then, beneath some urchin's hand,
With modest pride thou tak'st thy stand,
While many a stroke of fondness glides
Along thy back and tabby sides.
Dilated swells thy glossy fur,

And loudly sings thy busy pur;

As, timing well the equal sound,
Thy clutching feet bepat the ground,
And all their harmless claws disclose,
Like prickles of an early rose;
While softly from thy whiskered cheek
Thy half-closed eyes peer mild and meek.

But, not alone, by cottage fire
Do rustics rude thy feats admire;

The learned sage, whose thoughts explore
The widest range of human lore,
Or, with unfettered fancy, fly

Through airy heights of poesy,
Pausing, smiles with altered air
To see thee climb his elbow chair,
Or, struggling on the mat below,
Hold warfare with his slipper'd toe.
The widow'd dame, or lonely maid,
Who in the still but cheerless shade
Of home unsocial, spends her age,
And rarely turns a lettered page;
Upon her hearth for thee lets fall
The rounded cork or paper ball,
Nor chides thee on thy wicked watch
The ends of ravell'd skein to catch,
But lets thee have thy wayward will,
Perplexing oft her sober skill.
Even he, whose mind of gloomy bent,
In lonely tower or prison pent,
Reviews the wit of former days,
And loaths the world and all its ways;
What time the lamp's unsteady gleam
Doth rouse him from his moody dream,
Feels as thou gambol'st round his seat,
His heart with pride less fiercely beat,
And smiles a link in thee to find,
That joins him still to living kind.

Whence hast thou then, thou witless puss,

The magic power to charm us thus ?

Is it, that in thy glaring eye,

And rapid movements, we descry,

While we at ease, secure from ill,
The chimney corner snugly fill,
A lion, darting on the prey,
A tyger at his ruthless play?
Or, is it that in thee we trace,
With all thy varied wanton grace,
An emblem view'd with kindred eye,
Of tricksy, restless infancy?
Ah! many a lightly-sportive child,
Who hath, like thee, our wits beguil'd,
To dull and sober manhood grown,
With strange recoil our hearts disown.
Even so, poor Kit! must thou endure,
When thou becom'st a cat demure,
Full many a cuff and angry word,
Chid roughly from the tempting board.
And yet, for that thou hast, I ween,
So oft our favoured playmate been,
Soft be the change which thou shalt prove,
When time hath spoil'd thee of our love;
Still be thou deem'd, by housewife fat,
A comely, careful, mousing cat,
Whose dish is, for the public good,
Replenish'd oft with sav'ry food.

Nor when thy span of life is past,
Be thou to pond or dunghill cast,
But gently borne on good man's spade,
Beneath the decent sod be laid,

And children show, with glistening eyes,

The place where poor old Pussy lies.

POOR SUSAN.

Wordsworth.

Ar the corner of Wood-street, when day-light appears,
There's a thrush that sings loud, it has sung for three years,
Poor Susan has passed by the spot, and has heard
In the silence of morning the song of the bird.

She sees

'Tis a note of enchantment; what ails her?
A mountain ascending, a vision of trees;
Bright volumes of vapour through Lothbury glide,
And a river flows on through the vale of Cheapside.

Green pastures she views in the midst of the dale,
Down which she so often has tripped with her pail;
And a single small cottage, a nest like a dove's,
The only one dwelling on earth that she loves.

She looks, and her heart is in Heaven;-but they fade,
The mist and the river, the hill and the shade;
The stream will not flow, and the hill will not rise,
And the colours have all passed away from her eyes.

THE COMMON LOT.

Montgomery.

Once in the flight of ages past,

There lived a man and who was he?

Mortal! howe'er thy lot be cast,

That man resembled thee!

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